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The official photo blog of J. David Buerk Photography.

Total Solar Eclipse: April 8th, 2024

This time around the weather wasn’t going to be as cooperative; a problem most of the US’ totality path suffered.  In the weeks and days leading up to the 2024 Solar Eclipse, I monitored the cloud forecast like so much of the country did, and it seemed that my original target of Erie, PA, along with most of the Northeast save for Maine and Vermont, would inevitably have some degree of cloud cover ranging from 50-90%.  The nearest guaranteed clear sky to me was going to be Indianapolis, which was simply too far away to be feasible on short(ish) notice, especially considering the outbound traffic (18hrs) will be around double the inbound travel time (9hrs).  Disappointed, I chose not to travel more than a day-trip distance from home for this eclipse due to the equally disappointing totality centerline weather.

Following this late, final decision to not travel far out of state for the eclipse, I had other interesting eclipse viewing options on my radar.  Top of my list was an event at NASA’s Wallops Flight Facility, which not only would feature telescopes to view the solar surface up close, but also to watch three sounding rocket launches into the moon’s shadow during different phases of the eclipse.  I’ve watched livestreams of Wallops launches for quite a long time, and have even seen and photographed a few visible from my backyard at night, but had never made it down to the launch facility.  I considered this, since the weather in the DC and Chesapeake regions seemed about the same, however ultimately decided agains it because I didn’t think the amount of driving time and inconvenience merited seeing three small and fast rockets launch in daylight with over a 5+% reduction in eclipse visibility - DC saw 89% eclipse, and up over 90% if you were in Leesburg, VA, while Wallops was down to 84% thanks to just an extra ~2hrs away from the totality line.

While making these very overthought choices, I saw an article from the 2017 eclipse with people viewing from the National Mall - the Smithsonian National Air and Space Museum was hosting an eclipse watching event on the Mall agin this year, but that was beside the point for me - I decided that if I couldn’t see totality again this year, and knowing that anything less than totality is honestly disappointing, then the story should be more focused on the people watching the eclipse.

I made my way in to the District just as the eclipse was starting, and knew I was in good company when I saw people on every streetcorner with eclipse glasses or cameras.  Entering the street from one of my usual parking spots in Federal Triangle, workers from the offices in the Ronald Reagan Building were gathered in Woodrow Wilson Plaza watching the moon progress over the sun.  This included Customs and Border Protection Officers that work in the office and Global Entry Enrollment Center inside the Reagan Building.  Walking toward the National Mall, people were gathered on benches on the grounds of the National Museum of African American History and Culture.

As I stepped onto the National Mall, it was clear a lot of other photographers had my same idea for setup location: the tip of the Washington Monument’s shadow, with the aim of capturing the eclipse and monument in the same image.

After I’d found my spot, set up my camera, and was dialing in my equipment, a couple other nearby photographers asked if I was with Reuters or AP or another wire or media agency, because they said another Reuters photographer had just shot a photo from this location with my exact same jury-rigged contraption of modifying eclipse glasses to fit over my lens (rather than using an expensive and long-sold-out dedicated solar filter - eclipse glasses are tiny solar filters, just not in the correct size for mounting to a lens assembly).  If I had been surely planning to visit totality again, I’d have purchased a dedicated solar filter weeks prior, but it wasn’t looking likely due to seasonal weather even then.  Instead I had built the simple contraption at home and left mounting for on-site.  If I was thinking like a wire photographer, I must be thinking the right way.

The time of maximum eclipse was fast approaching and finally here, and the sun was moving as quickly across the sky as the moon progressing before the sun - mid-way through the peak of the eclipse I had to move positions twice to keep the sun visible from hiding behind the Washington Monument.  Peak was immediately obvious to me, with the same uncanny and hair-raising dip in luminosity and vibrant change of color rendering leading up to totality in 2017.  It’s difficult to visualize in a picture, but it feels like you’re wearing sunglasses when you aren’t, and images during this short time appear as though they have been HDR-to-SDR overprocessed as was popular in the 2000s-2010s, with soft shadows.

I captured the moon coming and going, with and without the solar filter.  Although solar photography gets all the talk, I think my standard un-filtered photography of the 2024 Solar Eclipse, with DC’s partly cloudy skies above the Washington Monument, are the highlight.  To me these images feel ancient; reminiscent of sights societies have witnessed through the ages beside their great monuments.

Once the sun was fully visible again, I had clear view of something I’d been noticing while shooting the eclipse: I was capturing sun spots.

Once the eclipse had passed DC, and the crowds had left the Mall, I decided to enjoy the weather and enjoy the nearby sights - I can’t remember if I’ve ever actually stood under or touched the Washington Monument before, but I did today.  Like The Gateway Arch, it increasingly feels like a structure that shouldn’t be capable of freely standing so tall the closer you get to its base.

This 2017 Solar Eclipse was sadly nowhere near as memorable as my 2017 experience of Totality, but after seeing the results from many spots across the US, including Cleveland and Erie, the two areas I had eyeballed for travel, it seems I made the right call in staying local, and would have ended up even more disappointed had I committed to the travel.  At least this way I can say I’ve experienced a solar eclipse both in and outside of totality now.

Looking forward to 2044!  Truly fortunate would be Iceland in 2026!

Latoya & Shawn: Married November 11th, 2023

On Latoya and Shawn’s wedding day, time danced in harmony with their love – a surreal blend of moments that lingered and flew by in a heartbeat. It feels like just a whisper of seasons since Shawn surprised Latoya during a family photo session, yet in reality, a whole year has woven its tale. On a serene Fall day at a country club, nestled not far from the heart of Fairfax, friends and family of Latoya and Shawn converged to witness the couple's union and commemorate the commencement of a new chapter in their lives.

Engaged in shared glances, a symphony of happy smirks adorns both Latoya and Shawn when their minds drift to one another. I sensed their magnetic connection the day Latoya unknowingly spoke of Shawn, just materialized before he materialized for their proposal. That same smirk, perhaps embellished with a dash more sass, graced Shawn's face when Latoya sent over a box of breath mints while Shawn was suiting up for saying “I Do.”

Shawn, a fellow photographer, got to experience being on the other side of the lens; you can catch glimpses of his photography on Instagram @828Visuals.

Amidst the breathtaking canvas of Autumn's final flourish, Latoya and Shawn exchanged vows just before the sun dipped below the horizon. The celebration continued with the dance floor alive with lights and favorite songs. As the night embraced its final moments, the Latoya and Shawn stole away for an intimate last dance, savoring the essence of the day. Loved ones bid them farewell in style, showering them with confetti and streamers, creating a dazzling spectacle as they kissed beneath the moonlight before embarking on their honeymoon.

What a magnificent conclusion to 2023! Wishing you all a Happy New Year – dive into Latoya & Shawn’s wedding pictures to usher in the magic of 2024!

Kaiser Permanente’s Caton Hill Medical Center: September, 2022

On September 19th, 2022, the Kaiser Permanente Caton Hill Medical Center opened, replacing the Woodbridge Medical Center with a new 245,000-square foot medical center in Prince William County.  Four days before the first day of service, Kaiser Permanente held a ribbon cutting ceremony with addresses from Kaiser Permanente directors and Prince William County leadership.

The new Kaiser Permanente hub includes 24/7 advanced urgent care, an outpatient surgical facility, a full featured radioimagery center, and 30 specialties including family medicine, pediatrics, obstetrics & gynecology, neurology, oncology, behavioral health, cardiology, pain management, ophthalmology, and optometry.  The complex is LEED Silver certified, and is expected to serve ~40,000 patients and ~320,000 visits each year.

I’m sharing some highlights from covering the event and new facility here.

After the ribbon cutting events, groups of guests were taken on guided tours and allowed the opportunity to explore the new medical campus.

BMW XM Launch Cocktail Party

If you’re a regular follower, you know I frequently attend various car events.  Some of my favorites are those sponsored by automakers showcasing their latest performance and technology offerings, which often has a driving or interactive component.  I have to say, of all the manufacturer events I’ve been to thus far, this cocktail party absolutely wowed me the most.

BMW definitely knows how to run events, I can confidently say from experience after last Summer’s BMW Ultimate Driving Experience featuring an autocross component of their i4 M50.  Likewise, BMW definitely knows how to throw a party.

This wasn’t my first time at the Long View Gallery; in 2015 I attended McLaren’s unveiling of their new 570S, so I expected something like that; I was pleasantly proven wrong before I even got inside the gallery.  The music could be heard from out front, and the mood lighting was a spectacle capturing the attention of passers by.  Inside, guests were welcomed and invited to enjoy signature cocktails at one of the multiple open bars, sample the numerous hors d'oeuvre, (including sushi and ceviche served on a BMW branded ice sculpture), and mingle around the cloaked BMW XM.

Also, any event with a cigar roller is going to automatically win points from me.  This is exactly the second time I have seen this; the first was a wedding I photographed over a decade ago.  This cigar roller had cigars for every taste and experience level, with mild, medium, strong, and amaretto; I’m admittedly not knowledgeable about cigars, but I know enough to know I enjoy the extremely occasional one with an Old Fashioned or glass of single malt.  I grabbed a few for myself for a special occasion, and a few for some friends; although there were matches and cutter available, nobody in attendance indulged at the event.

There’s a bit of a joke that I can’t go anywhere without being recognized, and while that’s not entirely true, chance would have it that I got spotted by a fellow commercial photographer also attending the party, and we enjoyed chatting off and on throughout the evening.

Soon it was time for the big reveal.  A brand VP and engineer gave an introduction of the vehicle, and discussed the XM’s vision and performance as the performance crossover was unveiled.  A notable design point of the XM is that it is the first M series SUV to have its own fame design, not sharing its platform with any other model in the BMW lineup; the XM’s platform is entirely BMW M.

Inside, the XM is all performance, with large flappy-paddles, and dedicated M Performance buttons on the wheel.  Passengers are pampered with ventilated leather, and treated to moodlighting and geometric design cues.  In the boot is a custom leather BMW XM travel bag, with dedicated strap and hook to ensure it stays put during spirited drives.

In the alley behind the Long View Gallery sat the original BMW M1, which served as inspiration for the XM.  The mid-engined coupe sports a more traditionally enjoyable 5 speed manual transmission, and propelled 277HP to the rear wheels; only 453 examples exist.

Inside, artist David Garibaldi began live-painting a BMW-inspired piece combining the DC skyline with the BMW XM’s headlight design.  The canvas was also live-silent-auctioned while he was painting.  The entire process took around 30min, but seemed much faster.  It was fascinating seeing his mixed tool process, switching between brushes, blades, and his fingers between strokes.  By the end of his painting, his glasses were smeared, his suit was speckled, and his hands were completely covered in various colors of paint.

Although the main events were finished, the party was still going, with many still lingering to enjoy drinks and get their chance to explore the XM.  With the playlist spinning, I’m surprised an impromptu dance floor never broke out.

On my way out I captured a few photos of the gallery front since I didn’t get any on my way in; besides, it looked better at night with the lights from the party still bumping inside.  BMW had fed us well, but I knew I’d be hungry again a little later after getting home, so I grabbed a go bag from nearby Ghostburger to enjoy as a midnight snack later in the evening.  It’s a spot I’d like to go back to when they’re not about to close - it definitely rounded out the theme of the evening, which was pretty colored lights.

2023 Annapolis Irish Festival • Gaelic Storm

To kick off my birthday week, and give myself a well-needed break, I took myself to the Annapolis Irish Festival.  Having the whole day to myself with no expectations or responsibilities to others hanging over me for the day was such a refreshing sensation I can’t remember the last time I felt, and filling it by being surrounded with my own Irish heritage with a backdrop of Celtic music, my soul felt overwhelmingly unhindered happiness and freedom.

I explored the vendors for some time, mainly in search of a Claddagh ring to hold me over until I settle on options for a bespoke piece; unfortunately, shopping for rings for myself is akin to shopping for pants, because I’m between sizes, and half sizes simply aren’t stocked at such a craft fair.  After browsing, and finally getting something to eat, I settled in to enjoy some of the music more purposefully.

Bastard Bearded Irishmen

Bastard Bearded Irishmen were in the later portions of their set once I finished eating, and I took some pictures of them playing a few of their last songs of the afternoon.

They finished their set with a cover of Sweet Child o’ Mine.

Gaelic Storm

The star act of the Festival was Gaelic Storm; a Celtic band headlined by Patrick Murphy on lead vocals, accordion, and spoons, and English guitarist Steve Twigger, the two remaining original members of the band that shot to fame after being featured performing in 1997’s Titanic.  They are joined by percussionist Ryan Lacey, Peter Purvis on bagpipes and flutes, and the group’s newest member, Natalya Kay, a talented fiddler who joined the ensemble last Summer.

I admit, I’d never heard of Gaelic Storm until a few months ago when a friend in another state saw them perform at an earlier stop on this same tour, and raved to me about them.  (I also have still somehow never seen Titanic in its entirety.)  Coincidentally, the Annapolis Irish Festival had already been on my radar for several months, so between the rave review by a friend, and a sense of reclaiming a tarnished St. Patrick’s Day, I was absolutely going to make sure to see Gaelic Storm play, whether at the Annapolis Irish Festival, or the night before at Leesburg’s Tally Ho.  In the end I’m glad my festival plan ultimately came to fruition.

Suffice to say, Gaelic Storm has a new “storm chaser” (what their fans are known as). I’m not new to Celtic music; I’m a lifelong fan of The Corrs, and was lucky enough to see The Chieftains perform a few years ago, but having already previewed and enjoyed some of Gaelic Storm’s music in the weeks before their concert, I was excited to finally see them live.  As the sun set, Gaelic Storm took to the stage, and I think the pictures will do the rest.

Video

I did take some video, but wasn’t intending on focusing on video, so the audio is trash using the internal mic.  This served me well, however, because it gave me a great set of files to learn on - I’ve been teaching myself Final Cut Pro, as Adobe Premiere Pro still doesn’t have a proper DolbyVision / HDR workflow (come on Adobe, get it together; it’s been 3 years, fix your Rec. 2100 support!).