Megan: Victorian Trenchcoat

Following our first photoshoot together that combined Steampunk corsetry in an old textile mill, Megan and I incorporated some of our foggy graveyard photoshoot idea that never materialized into a similarly moody morning photoshoot, exploring the same textile mill’s grounds in a Victorian trenchcoat.  Although there wasn’t fog like we’d aimed for, the crumbling and overgrown stone walls paired with Megan’s ivy earrings and black lace heels brought mystical vibes to the overcast grounds, with the din of water coursing through generation equipment in the mill’s spillway immediately behind our wall drew us even further out of the 21st century in our secluded corner originating in the industrial revolution.

Having now shot with Megan twice, I can only think of a handful of people I’ve shot with who have run through poses so effortlessly; it’s a blessing in that everything we shoot looks incredible, and a curse in that EVERYTHING we shoot looks incredible (so it’s difficult to narrow down in post): a struggle Megan and I gleefully lamented going through the photos following both our shoots together.

If you don’t already, you can follow Megan’s spooky and spectacular photography of storms, cemeteries, and astrophotography on Instagram.

Like all proper creatives with pent-up artistic energy, Megan and I continue to have shared, evolving ides for photoshoots, and hopefully the next time we see each other the stars will align to bring another passion project or two together.

Until next time,

The Queen of Halloween & The Duke of Spook bid you well in 2022!

Behind the Scenes

Because of the lighting setup on our fist shoot, I didn’t even attempt any Polaroid captures, but since this photoshoot was captured simply with the same run-and-gun fill-flash technique Polaroids traditionally lean on, it was seamless freezing a few moments in time on the classic instant format; all it required was pausing for each moment for the very mechanical image capturing process to work its analog magic.

This is only the second selfie I’ve taken with a Polaroid. Polaroid selfies are both easy because the camera is so light and the shutter release is in an easy spot, but more difficult because of the tighter framing and inherent time-delayed unknowns of film photography, even on an “instant” film - modern Polaroid chemistry takes 10min to display an image, and over 20min to fully develop. It’s a format I didn’t get the chance to play with until just as the Pandemic began, but I’ve fallen in love with its beautiful imperfection and mandatory physicality.

A Day at the Newseum

Well, more like two days at the Newseum if we’re being accurate.

If you’re tired of being cooped up at home, unable to go out and enjoy the museums, and you missed out on visiting the Newseum, the post I’m sharing with you today is especially for you.

On the last day of the decade, December 31st, 2019, the Newseum, a product of the Freedom Forum, permanently closed the doors of its Pennsylvania Avenue home. The Newseum, open for a total of 22 years, demonstrated through interactive and rotating exhibits the importance of press freedom and fairness in reporting. Exhibits spanning watershed moments of history to current events showed the importance of journalism ethics, the pitfalls of censorship, and the dangers journalists can face in performing their duties. The Newseum illustrated the United States’ First Amendment’s five core values in real-world applications and infringements.

Until this December, my only experience with the Newseum was to attend a screening of the 2011 film “Documented” and subsequent panel discussion with director and Pulitzer Prize-winning journalist Jose Antonio Vargas in 2014, and the Nikon Z7 release event with Nikon President and CEO Yasuyuki Okamoto in 2018; this is to say, I’d only visited the Newseum’s atrium and auditorium for private events - none of the exhibits, as the museum was closed.

When I heard the Newseum was closing its doors, selling the building to Johns Hopkins University due to financial constraints, I made sure not to miss it any longer. Touring the Newseum was something I’d wanted to do with friends or a date for years, but invariably it always got put off; “we’ll do it later this year.” No more - across two days in December I explored the Newseum from top to bottom, like the Guggenheim, the way it was originally built and intended to be toured (this being said, my photos of the exhibits below are not necessarily arranged in order from top to bottom since these photos span across two full days, and I revisited some exhibits the second day).

I truly enjoyed every minute of the Newseum, and wish I’d simply said “no more” and visited solo much sooner than I did. Even with two full days of visiting and taking in the thousands of displays, I still missed so much of the specimens and their captions on exhibit. It is my utmost hope that the Freedom Forum will find a new, sustainable, third and final location for the Newseum and all its exhibits; the Newseum is one of, if not the most, culturally significant museum I have ever visited, because of its perpetual relevance - news breaks every day. In the last months I’ve thought about the Newseum almost daily, wondering what to be made of the systemic targeting, attacks, and arrests of credentialed media by police across the US, including just a few blocks away in Lafayette Square. I can’t help but wonder how the US’ ranking of Press Freedom on the Newseum’s Press Freedom Map has changed even in the few months since the Newseum’s doors closed. And with the ongoing pervasiveness of “fake news” and anti-science conspiracy theories being perpetuated by presidential candidates in an election year, the Newseum feels more relevant than ever now that it’s gone.

“First they came for the journalists, and I did not speak out, because I was not a journalist — we have no idea what they did after that.”
-Arleen Myers Fields’ adaptation of Martin Niemöller’s “First They Came…”

Below are highlights of my visits to the Newseum’s many exhibits; I have not included captions for these photos, as there is too much relevant information about each to properly bestow in a timely fashion. I did, however, as I frequently do visiting any museum like this, capture images of many of the museum’s own description panels. If you would like to see the full gallery of my two days of touring the Newseum, including more exhibits and artifacts, along with the museum’s captions, you can view the full gallery here.

Bonus: Newseum Restroom Misprinted Headlines

Perhaps a nod to the tradition of placing flyers in restrooms and newspapers (especially sports sections) above urinals, the Newseum’s restrooms are speckled with tiles bearing misprinted headlines, poorly phrased captions, and awkward apologetic corrections.

Official Communications

Hello photography friends, I just wanted to take a moment to reiterate that all official communications with J. David Buerk - Photography are through myself (David; hi!), and only through my official contact channels and social media profiles. If you encounter any profile that you are unsure or suspicious of, claiming to be me, or conducting business on my behalf, immediately cease communications and please report any suspicious behavior like this to my email, david@jdbphoto.com.

Why I’m Bringing This Up

Although I haven’t received any reports of impersonation, I was recently contacted on one of my official social media profiles by a new, blank profile bearing my name, asking for basic information, which is why I am disseminating this cautionary message.

Official Lines of Communication

Below I am listing all official J. David Buerk - Photography communication outlets and social media profiles; please only interact with these lines of communication (and please Like / Follow / Subscribe / etc if you don’t already!):

Website:
jdavidbuerk.com
NOTE: My old domain (jdbphoto.com) redirects to this site.

Email:
david@jdavidbuerk.com
NOTE: My old email (david@jdbphoto.com) still works! In fact, both emails are the exact same account and inbox. I also accept PGP encrypted email; ask for my key.

Phone:
703.609.3226

Client Galleries (hosted by SmugMug):
clients.jdbphoto.com

Facebook:
facebook.com/DavidBuerkPhoto
NOTE: This URL was changed to mirror my other social media URLS on March 5th, 2019; the old URL (facebook.com/jdbphoto) does not work anymore, as Facebook does not allow masks or redirects.

Twitter:
@DavidBuerkPhoto

Instagram:
@DavidBuerkPhoto

YouTube:
youtube.com/channel/UC4mMZNPzpyd_mTlGbNMzkJw

LinkedIn:
linkedin.com/in/j-david-buerk-59803b8/
NOTE: Not regularly monitored; please direct messages to david@jdbphoto.com.

Google+:
plus.google.com/b/116097680376046332431/116097680376046332431
NOTE: Google+ is shutting down April 2nd, 2019; read why here.

Snapchat:
@DavidBuerkPhoto
NOTE: I am not presently active on Snapchat; this profile is not regularly monitored for snaps / messages - please direct all communication to the above email / phone number / social media profiles instead, but feel free to follow in the event I do begin using this profile.

Personal Accounts

I also have personal accounts at many of the services above, and others not listed; I do not use my personal accounts for business purposes, and if I am contacted for business on one of my personal accounts, I will always direct you toward my email, phone number, website, and / or social media profiles listed above. If you encounter an account seemingly impersonating me, either a personal or business account, or to conduct business or not, please notify me immediately.

Thank You, My Fans

Old Rag Mountain, August, 2018.

Finally, a thank you to every one of you who follows my photography, shares my enthusiasm, and introduces me to new people who will enjoy my work for years to come. Without you my work would be much less vibrant and diverse, and I appreciate your diligence in ensuring security and authenticity.

Thank you!

-David

Solar Eclipse Photography Tips & Pointers

I'm sure a lot of you are planning to watch Monday's solar eclipse, and if you're a photographer I'm equally sure you've seen some information pertaining to how to safely photograph the moon's transit across our sun.  I'd like to share some information with you to point you in the right direction where you will be able to find more detail on certain topics, with a focus on optics.

Since you may be wondering, I will not be directly photographing the eclipse myself, though I do plan on traveling to the totality zone to enjoy the astronomy show, and probably document my journey and the other sunwatchers I'm sure to find.

Solar Eclipse Glasses

I won't mince words; if you don't already have the ISO 12312-2 compliant "solar sunglasses" you probably won't be able to get them.  They are long-since sold out of all online retailers for delivery before Monday, and all stores are out of them unless they get a batch of them in on Saturday or Sunday.  Here is a list of reputable eclipse glasses vendors, though expect most of them to be sold out.

American Astronomical Society (AAS): Reputable Vendors of Solar Filters & Viewers

It is extremely important to only use ISO 12312-2 compliant solar filter film glasses to view the sun at all times any part of the sun's surface is exposed; in the DC Metro area, this means you must view the eclipse through the glasses at all times, because that area is outside of the path of totality, and therefore there will always be part of the sun exposed.  Solar filters such as the film in these glasses do more than stop down visible light; they also block invisible ultraviolet (UV) and infrared (IR) light - this is key because the UV light especially can be so intense that it will permanently burn and destroy the central cones in your retinas, creating permanent central blind spots in your vision.  Without the solar filter, this dangerous UV light is not reduced to safe levels even if visible light from the sun is comfortably reduced; this is why "doubling up" on sunglasses is not a safe way to view the eclipse, and can cause just as much damage as staring directly at the sun bare.  Even with the solar filter glasses, you must only take short looks at the sun through the glasses - view the eclipse for no more than a minute at a time, taking long breaks between viewings to allow your eyes a rest and prevent eye damage which can still take place with extended viewing through the glasses.

Please read this article from NASA about more detailed information on safely viewing the eclipse.

Best Buy and Michaels seem to be the most knowledgeable about the glasses, though you should call first thing in the morning to ask about availability, and rush over in the unlikely event they have any more in stock.  Lowe's also carries the glasses, but are out of stock as well.  Home Depot is giving out unsafe advice to buy their welders goggles, but this is a bad situation, because they do not sell the required Shade 13 or 14 welders goggles - they only stock Shade 8, which is much too light, and will cause eye damage when viewing the sun.  Please refer to the link above for more information on welders goggles.

If you don't have any glasses at this point your best bet is to arrive at the Smithsonian National Air and Space Museum Steven F. Udvar-Hazy Center in Chantilly, Virginia by 5AM to wait for admittance to pick up some of the limited supplies of the glasses they have.  The NASM has small quantities of the glasses they give away on a first-come-first-serve basis.  On Saturday and Sunday they have 300 pairs of glasses available, and all will go to the first groups who arrive at the gate.  On Monday, the day of the eclipse, 1,000 pairs of the solar glasses will be made available while supplies last.  This Friday morning the first car arrived at 4AM to wait; gates into the NASM parking lot are opened at 8AM, by which time a line of cars stringing all the way up to the 28 overpass will have formed.

At this time a line is formed outside the Udvar-Hazy building (and well beyond) until admission to the building is granted at 9AM.  Another hour waiting, and the museum staff begin giving glasses to guests at the museum's opening time of 10AM.  Glasses are provided on a basis of two per group / family - realistically you can act as if you don't know one another and are a single person representing a group of two, but lets have some ethics and not abuse this - there aren't many glasses to go around, and if you can afford share a pair, then be good and let others also get to experience this rare phenomenon.  Plan to arrive early, and spend lots of time on your feet waiting in line.

The National Air and Space Museums in DC and the Udvar-Hazy Center will be having solar eclipse viewing events at both locations; read here for details.

Alternative Viewing Methods

Welders Glass

As mentioned above, one can use Shade 13 and higher welding goggles, though this is a hard to find shade, since most stores stock much lighter shaded glass which is unsafe to view the eclipse. If you have welders glass already, and it doesn't explicitly list the shade rating, do not trust it - permanent eye damage is not worth the risk.

Pinhole Projection

An easy method anyone can perform with basic office supplies is to create a pinhole viewer.  All you need is some cardstock and a white surface to place the projection on.  Make a 3mm round hole in the cardstock and by hand focus the sun on your white surface; the eclipse will be visible projected on the surface through the pinhole.  This is in essence a pinhole camera.  You are safe to view the projection without any eye protection, though you may want some sunglasses since it will still be quite bright.

NASA: Projection: Pinhole & Optical

Photographic Equipment and Telescopes

And here is the big reason I am writing this quick guide - I want you photographers to stay safe, and keep your gear safe.

Please, if you do not have a dedicated solar filter or solar film for your camera or other optical equipment, do not under any circumstance attempt to photograph the eclipse directly.  Without a solar filter, the intense brightness and heat of the sun's rays will burn and destroy your camera's sensor, and can become so hot it can begin to melt and etch an image in the sensitive surfaces of your camera such as the focusing screen.  You can indeed interchangeably use a telescope filter or raw solar film sheets on a camera; the key is you must have total coverage of the lens, and must never use the viewfinder for any reason.

Furthermore, "doubling up" on neutral density (ND) filters will reduce the visible light to a safe level for your sensor, but does nothing to reduce the ultraviolet (UV) and infrared (IR) lightwaves which can still damage your sensor; UV filters, and the IR filter built into every camera's sensor may not be strong enough to reduce these wavelengths to a safe level - if you choose to use ND filters, do so at your camera's own risk; you will need at least 18 stops (ND 5.4) of density to reduce the sun's visible light to a level safe for your sensor.  Unless you have a dedicated solar filter, I recommend only attempting the ND method on a camera you are comfortable with possibly breaking permanently.  If you go this method I recommend placing a lens cap over the lens at all times except when focusing (via live-view only) or short bursts of shooting; don't expose the sensor or glass to any undue amounts of the sun's rays.

For all circumstances, you must only use live-view to focus and shoot - do not under any circumstance look through the viewfinder when aimed at the sun, regardless of if your camera has a solar filter installed or not.  Solar filters for optical equipment do not as stringently adhere to ISO 12312-2 compliance which is required for safe viewing with human eyes.  Furthermore, even using the solar sunglasses to look through the viewfinder will also be harmful because of the focused intensity of the sun through the camera's optics.  Do not attempt to use the solar glasses solar filter film as a camera lens solar filter; your camera must have 100% complete lens coverage in order for it to safely photograph the eclipse; your solar glasses' filter is not large enough to cover the entire lens, save for camera phones.  Looking through the viewfinder is placing a hypothetical ant (your eye / retina) under a literal magnifying glass (your camera / lens).

If you do have all the required materials to safely shoot the sun, you will need a lens or telescope capable of reaching the 500 - 800mm range to fill the frame with the sun to a useful amount.

Enjoy It

This is a historic event; don't get caught up in your camera so much that you miss watching!

I will mostly be enjoying the journey and nature of our moon blocking view of our sun, rather than fiddling with a camera; this is rare event that I wasn't even sure I'd be available to enjoy due to other scheduled photoshoots which have now been postponed (probably because people want to watch the eclipse?).  Since I only found out I'm free in the last few days, I will not be photographing the eclipse directly because A) I couldn't find a solar filter available for sale in time for a reasonable price, B) because the risks to my gear are too great for my comfort, C) there will be a massive amount of coverage by others who are better equipped to document this event, such as those at NASA, and D) it's nice to relax sometimes.  I will instead be enjoying the eclipse through my solar eclipse glasses and documenting the journey and those I see watching the eclipse on Monday.

Hopefully you all will be able to enjoy the solar eclipse safely and easily; please, please do not take any silly risks - hurting your camera may hurt your wallet, but hurting your eyes will hurt forever - don't risk anything - stay safe folks!

Below I'm leaving some helpful links which go into more detail about the eclipse than I've outlined here; please visit them and read for more depth than the overview I've provided.

Helpful Eclipse Links

NASA: Eclipse Safety Tips

NASA: Interactive Eclipse Totality Map

Washington Post: Where to Find Eclipse Glasses

American Astronomical Society (AAS): Reputable Vendors of Solar Filters & Viewers

NASA: Projection: Pinhole & Optical

Smithsonian National Air and Space Museum: Observe the Solar Eclipse

National Weather Service: National Cloud Cover Map

Fstoppers: Eclipse Photography Video How-To Guides

Alyssa in DC: 2016

I must admit to having an (arguably) bad habit; I place my personal photography behind my work photography.  That's not a bad thing; the bad thing is how far behind I place my own work.  In something that's become almost as much a tradition as a Summer vacation with Alyssa, this is the second time in a row I've taken more than 8 months to edit the photos I shot on Alyssa's trip to DC.

This time around I insisted that we take things a little slower than the previous year; doing something every single day for a week in 2015 really wore me out, so 2016 was a more relaxed trip.  Plus, that allowed us to catch some of the Rio Olympic Games!

We didn't do anything worthy of photos the first two days (it was mostly spent fixing her computer), so this blog starts on Day 3!

Day 3: Luray Caverns • Skyline Drive • Stony Man Mountain

Luray Caverns, Luray, Virginia

Alyssa is always jealous of my hiking pictures when she sees them, so we always plan at least one hike when she's here; since I thought Luray Caverns would be something she'd enjoy, I planned our entire day in the Shenandoah Valley, starting with Luray Caverns.

It'd been a few years since I'd been to Luray Caverns, but of course Alyssa had never been.  Things have clearly changed since the last time I'd visited; of all the times I've visited, I've never actually been given a tour before.  Actually, I've never even had to stand in line to get in.  Every time I've been you've just paid for entry and you're given free reign to walk around the cavern at your own pace.  Not this time though; we actually had to wait in line, and once inside we were part of a guided tour with around 30 people.

A very different experience than my previous visits, but still enjoyable.  I've previously taken the audio tour, but I found the guided tour more educational and much more enjoyable.  The only reason I can guess for getting a guided tour this time and not my other visits is this is the only time I've been to Luray Caverns during Summer, which is of course peak tourism season, plus all those students are out of school and available to intern at the Caverns.

Something that really, REALLY bothered me was that the intern bringing up the caboose of the group had a serious disrespect for the nature and longevity of Luray's formations.  On several occasions I spotted him touching the stalagmites and stalactites with his bare hands.  He clearly knew he wasn't supposed to be doing it because he stopped when he noticed me watching him and our eyes met.  Incredibly disrespectful to the 64 acre underground natural phenomenon.  Just touching the mineral deposits that compose the stalagmites and stalactites leaves skin oil and other contaminants that halts their growth.  Currently most of the formations in Luray Caverns grow at a rate of 1" every 120 years, but that permanently stops when contaminants destroy the fragile conditions required for the formations to grow.  It has been argued that it's bad that (a small) part of the caverns has been opened to the public - I mostly disagree with this because I think more-or-less sacrificing only a small portion of the cavern is the best way to display and educate the public about the natural phenomonon.  That being said, it makes me angry that Luray Caverns staff themselves can be found palming the formations and at one point even dragging his palm against the wall while walking.

But let's get back to some positive.  Luray Caverns is home to The Great Stalagpipe Organ.  Although it's called an organ, the instrument is actually a lithophone; that is, a percussion instrument using rock to create tones.  The "organ" was designed and installed by Leland W. Sprinkle, who found two in-tune formations, and shaved down an additional 35, to create the instrument with 37 notes spread across 3.5 acres, making it the world's largest musical instrument.  Each limestone formation is fitted with an electrically actuated rubber mallet and electric pickup (similar to an acoustic-electric guitar pickup), and the tones are amplified through a PA system.  Performances of the organ are live, but automated / pre-arranged just like a player piano.  The organ keyboard itself is locked-out except for special occasions such as weddings and other events.  The Great Stalagpipe Organ can be heard on Pepe Deluxé's album Queen of the Wave played by Paul Malmström.

The organ has a playlist of songs it can play at random; here is my video of the organ playing during our visit.  If you know the name and composer of the song, please let me know in the comments!

Stony Man Mountain

Next stop was Stony Man Mountain.  You of course have to take Skyline Drive to get there, so I hopped on at the Thorton Gap entrance, and more or less drove South to the trailhead, stopping here and there for the occasional overlook; I've seen pretty much all of them, but Alyssa of course hasn't seen any.

Years ago I hiked Little Stony Man, so when we went up Stony Man I was very surprised how much shorter and easier the trail was to get to the summit.  Stony Man's summit trail is pretty much a straight shot up the mountain, taking very little effort or time from the parking lot.  The trail is lightyears easier than the Maryland Heights Trail in Harper's Ferry I took Alyssa to in 2015 - that one's difficulty, despite my warning her, really caught her off-guard.  This one was much easier than I'd planned on.  Beautiful overlook at the top, and by chance we found some cool rocks on the edge of the trail that made for some awesome outdoorsy portraits as the fog began to roll into the valley below us.

And thanks to Alyssa for catching this photo of me.  (Edits are mine.)

Skyline Drive

We still had a few hours of daylight left, and before continuing South on Skyline drive, we dropped in on the nearby Skyland Lodge to check out the gift shop if anything caught Alyssa's eye - I eyeballed a marbled coffee mug that I ended up getting a few months later during my annual Fall trip along Skyline Drive.

We went for a leisurely drive as the fog got thicker, running through the gears with the windows down in the beautiful, and surprisingly dry, weather that day.  I've never seen fog on Skyline Drive before (maybe because I've only visited in Fall before this?), and between that, the thick tree cover, and golden setting sun, it was a very surreal drive back by time we decided to turn around and head back.  I insisted on stopping at one overlook just after sunset to catch a cool toned photo of my car - it's much easier to do this sort of thing in the Summer when there are practically no other people and cars to contend with.

Day 4: International Spy Museum • National Portrait Gallery • PostSecret: The Power of a Postcard at The National Postal Museum • Washington Nationals vs San Francisco Giants

International Spy Museum

Oh, the International Spy Museum.  A museum I've walked past more times than I can count, yet had never visited.  I'd even been to the now-closed-for-relocation Crime & Punishment museum, which, by the way, I can't recommend enough.  Day 4 was the longest day of our adventures because we squeezed the most in, beginning with a reservation to Operation Spy at the International Spy Museum... unfortunately we arrived 2 minutes late, and they wouldn't let us into that or rebook us to a later time even being 2 minutes late!  With a little, um, prompting... they at least refunded us.  The day didn't start off very well, but that was the only hiccup for the rest of the day.  We did get into the rest of the museum, and frankly I'd like to go back, because even after spending hours exploring, I'm pretty sure I still didn't see everything or get to read and learn as much as I'd like since it was packed with Summer tourism.

The second half of the museum is whatever rotating exhibit they have visiting; it was the spy tech from the James Bond universe.  Really cool stuff, being a Bond fan as most people are.  The only suggestion I'd make is better separation between fact and fiction; all of the "artifacts" are fictional, and I'd have enjoyed seeing more explanation of how the fictional items tie into factual technologies; there was a little bit of that, but I was still left with a little unease knowing that a lot of the people visiting probably thought some of the movie props were real-world artifacts.  Awesome Bond collection exhibit nonetheless.

National Portrait Gallery

Next we went a few blocks over to what has always been my favorite museum in DC; the National Portrait Gallery.  I unfortunately missed the portrait of Colbert over the water fountain a few years back, but one of my couples was fortunate enough to see it; that's actually where James popped Danielle the question!

PostSecret: The Power of a Postcard at The National Postal Museum

We spent a good portion of time in the National Portrait Gallery, but we didn't dilly dally too much since I was making sure we had enough time to make it to the National Postal Museum.  Visiting here was a complete surprise for Alyssa, because I'd eagerly been awaiting the exhibit's opening, and I had purposely never mentioned it, waiting for Alyssa to get into town before seeing it.

I've followed PostSecret since Frank Warren began the project from his Germantown home in 2005.  I don't look up the newest secrets every Sunday they are posted, but I do read them once or twice a month; Feedly catches everything for me to read later on.

For the uninitiated, PostSecret doesn't need much more introduction than this: people across the World anonymously send in handmade postcards bearing their secrets and their souls.  Usually the cards have original artwork or photographs, other times they're relevant imagery that highlights location or timing.  And on some occasions, entire items are mailed, such as wedding rings, dolls, and other mementos leftover from past relationships and events.  (Full Disclosure: The Museum of Broken Relationships in LA is in my top five of locations I want to visit on the West Coast.)  Mailing a secret is an outlet to creatively share your secret when you may not have the strength or ability to share it with anyone else.  PostSecret quickly amassed a worldwide following and subsequent support community, as it unites everyone with their own personal struggles through shared humanity.

Fun fact: every single postcard Frank has ever received, all 500,000, was present at the exhibit.  So, if you've ever sent in a secret, you can rest assured it is somewhere in the photograph below...

I captured most of the secrets on display, and I've included a small gallery of some select secrets you can scroll through and read below.

Washington Nationals vs San Francisco Giants

After a long day of museum hopping, it was time to sit back and relax with some half-smokes and "doughboys" at Nats Park.  I neglected to tell Alyssa that I'd gotten us seats in the N-A-T-S-NATS-NATS-NATS-WOO! section.  The Nats beat the Giants 5-1, so section 313's reaction caught her off guard the first run or two.  Those were pretty great seats, right on the rail.  That said, the only seats I've had at Nats park I didn't like were in the outfield; Nats Park provides a great view of the game pretty much anywhere you sit, regardless of level.

After the game we went over to check out who was playing at The Bullpen on Half Street.  People were playing soccer, inspired by the Rio Olympics, in front of Jeff from Accounting performing.

Day 6: Imran and Hina's Wedding • Brine Oyster Bar

Imran and Hina's Wedding

The next morning was Imran and Hina's wedding in Virginia; the weekend before I'd been in Houston for their wedding based there.  The wedding here was much smaller as usual.  I just relaxed and enjoyed with Jake and Alyssa; I'd referred Imran to Eddie early that year to shoot his wedding.

Brine Oyster Bar

After the wedding, Jake, Alyssa, Eddie, and I head over to Brine in Mosaic District and met up with Loreal for our own little wedding after-party.  I ended up trying raw oysters for the first time, and found that I love them.  I'd had steamed oysters plenty of times, but never found a raw bar I trusted and been in the mood to try it at the same time until then.  I'm looking forward to next time I get them; maybe the next time Natalie is in town we'll have to go back to the oyster bar in National Harbor since that's the place we first met each other.

Some fun backstory here is that at this point Eddie had been brainstorming his proposal to Loreal with me.  He pretty much had it planned out at this point, and just an hour earlier while shooting the wedding, he pulled me aside to show me a picture of the ring he had for her.  He popped the question a few weeks later on a trip to Hawaii, and the rest is history!  Now I’m hearing all the wedding planning brainstorming lol.

Day 7: Stone Tower Winery • Departure

Stone Tower Winery

For Alyssa's last day, I *had* to take her to a winery.  She'd been begging me the entire trip, and we kept putting it off and putting it off.  So with just a few hours before her flight, we made it happen; I took her to my favorite winery around here, which also happens to be probably the classiest and closest to a Napa vineyard in the Northern Virginia Region (Potomac Point Winery is a very, very close second in my book, if you're curious).  Alyssa's the biggest lightweight I've ever met, so after just a tasting she's tipsy in all these pictures.

But give her just one glass of wine on top of the tasting and she was... super-tipsy?  Tipsy enough that she zapped herself on an electric fence while petting the horses in a neighboring pasture.  At least she wasn't naming them like Patrick famously named the goats at Aspen Dale Winery at the Barn...

Departure

I did a stupid on the way to the airport.  Alyssa had gotten a wine glass from Stone Tower to take home with her; it was wrapped up, placed "safely" on the back floorboard where nothing could get to it.  Well, after Alyssa was done scrolling through the pictures on my camera, I reached back and dropped my camera onto the back floorboard... where "nothing can get to it!"  *CLINK!*  Well at least it sounded pretty when I shattered it!

Stone Tower's wineglasses are oversized, laser cut and engraved, and most importantly for this story, they're crystal.  I don't know of any other vineyard that uses crystal wine glasses.  The winery was closed; there was no time to go back even if they were open.  I told her to relax; I had one of their glasses at home and I ended up mailing it to her... along with the bag of broken wine glass shards, just to screw with her.

The sun set as we arrived to the airport.  We got there early enough to get dinner before her flight began boarding - I think I've turned her on to Five Guys - I'm a bad influence I guess.

Alyssa has a bit of a granola obsession, which I learned the first time she came (I was finding granola wrappers and crumbs in my car a month after she'd left 2015!) but this year wasn't as bad.  I still found granola!... but at least everything I found was unopened, and the crumbs were relegated to the passenger side leg bolster.  Improvement!

Who knows what our next set of adventures will be, but I'm looking forward to them!