Ilana and Chris: Married April 28th, 2022

In my blog post about Ilana and Chris’ engagement session, I explained my history with film; how I have never shot on it professionally, and only reached for it for fun, finding novelty in its charming imperfection, and how this appreciation of film for fun and interesting cars is what ultimately brought us all together.

For Chris and Ilana’s wedding, however, like their engagement session, I changed this history, if ever so slightly.  Just like Chris and Ilana love the artistry classic, quirky, and quick cars, they also appreciate share my appreciation of analog’s allure.  So while their big day wouldn’t be the first time I snapped Polaroids at a wedding, it would be the most film I’ve ever shot at any professional session, even if it was a few handfuls.

After getting prepped, and strategically keeping the wedding parties separate, Ilana had a first look with her family on the Anchor Inn’s dock immediately before the ceremony began.  In the refreshing breeze on the Patapsco River, Chris and Ilana took their turns going down the aisle, finally letting Chris choke up seeing Ilana in her dress; a tradition Chris was adamant to keep.

After the breaking the glass (mozal tov!), Ilana and Chris danced on a cloud to kick off their reception.  After dinner and toasts, they cut the cake to the tune of some zany TV theme songs that perfectly fit their silly personalities; King of the Hill, South Park, The Simpsons, and more.  Now it’s officially party time!

Winding down the evening, Chris and Ilana slow danced solo, just them and the music on the dance floor… and maybe a few excited guests who peeked inside through the portal window.  Under an arch of fiber optic sparklers, Ilana and Chris departed, but not before dipping for a kiss one more time, and one more Polaroid.

Natasha And Zach: Married April 8th, 2022

If you know Natasha and Zach, you know how in love and excited to tie the knot they have been since getting engaged in 2019.  Like so many couples in recent memory, their wedding plans became an exercise in hurry-up-and-wait for the World to regain some normalcy, but their patience was rewarded this April, joined by a gathering of friends and family able to converge upon the Virginia Museum of Fine Arts to join in celebrating their love surrounded by art from every continent.

The day began at one of Richmond’s historic rowhouses where the wedding party got ready and toasted with a special bottle of rum Natasha and Zach picked up in Cancún and were saving for a special occasion.  Next were first looks; the emotion on Natasha’s father’s face as she came down the stairs in her dress, and later on Zach’s face as he saw her walking down the aisle.

I don’t think I’ve ever met a couple so pumped to be married - immediately following their ceremony, Zach and Natasha led the wedding party outside for pictures, across the VMFA’s public gardens packed with hundreds of people picnicking in the beautiful Spring weather; Zach yelled at the top of his lungs pointing to Natasha, “THAT’S MY WIFE!!!” to the cheers of the entire lawn, some people coming up to congratulate and take pictures with the newlyweds.

After dinner, while everyone else was dancing and partying, the three of us stole away to go explore the museum - Natasha and Zach danced and joked among exhibits, with just their infectious laughter echoing the secluded halls.  As longtime Richmond residents, and lovers of the city’s thriving art scene, it was a fitting location to mark the occasion they’ve been looking forward to for years.

Madonna: George Mason University, Class of 2022

2022 marks George Mason University’s 50th Anniversary, and what a perfect year to revisit my alma mater.

This May, Madonna is part of George Mason University’s Class of 2022, graduating with a BS in Civil Engineering.  To celebrate, Donna, Rubin, and I spent some time touring some of GMU’s most iconic and scenic spots; you might remember Rubin and Donna from their surprise airport proposal in 2020.

This was both fun and relaxing for me, revisiting some of my favorite spots around campus, and seeing how much of it has changed or stayed the same since I graduated in 2012.  We started in the Engineering Building, which was a new building when I attended, and I got to see some of the completed construction that was just starting when I left - I’ve only been back on campus a few times since graduating.  The most notable change is the introduction of the food delivery robots, which operate like mini-Teslas; they even tried to interfere / attack us during the shoot a few times.  I, for one, welcome our new delivery robot overlords.

After the portrait session, I explored a bit more at dusk to see a bit more - walking around campus in shorts and a polo with a backpack and camera - that part hasn’t changed; the difference is my backpack in college wasn’t leather from Tumi, and I didn’t walk around with TWO cameras and a set of remote strobes on me between classes.

David and Kathleen: The Proposal

Spring is here, and this April kicked off with a fun vineyard proposal in Virginia’s Shenandoah Valley.  Sweethearts for eight years, David and Kathleen vacationed in Virginia’s wine country, but David had been planning to pop the question this weekend for months.  Circumstances made this one a hard secret to keep, and Kathleen came so close to finding out, but as soon as the couple arrived at the vineyard and found the picnic awaiting them, David eagerly dropped to one knee.

She said yes, and was in shock the rest of the day of wine and adventure!

Megan: Victorian Trenchcoat

Following our first photoshoot together that combined Steampunk corsetry in an old textile mill, Megan and I incorporated some of our foggy graveyard photoshoot idea that never materialized into a similarly moody morning photoshoot, exploring the same textile mill’s grounds in a Victorian trenchcoat.  Although there wasn’t fog like we’d aimed for, the crumbling and overgrown stone walls paired with Megan’s ivy earrings and black lace heels brought mystical vibes to the overcast grounds, with the din of water coursing through generation equipment in the mill’s spillway immediately behind our wall drew us even further out of the 21st century in our secluded corner originating in the industrial revolution.

Having now shot with Megan twice, I can only think of a handful of people I’ve shot with who have run through poses so effortlessly; it’s a blessing in that everything we shoot looks incredible, and a curse in that EVERYTHING we shoot looks incredible (so it’s difficult to narrow down in post): a struggle Megan and I gleefully lamented going through the photos following both our shoots together.

If you don’t already, you can follow Megan’s spooky and spectacular photography of storms, cemeteries, and astrophotography on Instagram.

Like all proper creatives with pent-up artistic energy, Megan and I continue to have shared, evolving ides for photoshoots, and hopefully the next time we see each other the stars will align to bring another passion project or two together.

Until next time,

The Queen of Halloween & The Duke of Spook bid you well in 2022!

Behind the Scenes

Because of the lighting setup on our fist shoot, I didn’t even attempt any Polaroid captures, but since this photoshoot was captured simply with the same run-and-gun fill-flash technique Polaroids traditionally lean on, it was seamless freezing a few moments in time on the classic instant format; all it required was pausing for each moment for the very mechanical image capturing process to work its analog magic.

This is only the second selfie I’ve taken with a Polaroid. Polaroid selfies are both easy because the camera is so light and the shutter release is in an easy spot, but more difficult because of the tighter framing and inherent time-delayed unknowns of film photography, even on an “instant” film - modern Polaroid chemistry takes 10min to display an image, and over 20min to fully develop. It’s a format I didn’t get the chance to play with until just as the Pandemic began, but I’ve fallen in love with its beautiful imperfection and mandatory physicality.